2012 has arrived. Indeed it has. With it comes a new project at school. I have decided that for the spring play the middle school will rewrite THE PRINCE & THE PAUPER for 1912 New Haven, CT. Why, you ask? An excellent question! This is our school's centennial year. We spend a fair amount of time pointing that out, but there has, as far as I can tell, been little discussion of what that actually means. What was the world like when our little country day school started? How did people spend their time? What were their struggles? Why would that be the time to start a a small private day school?
Answering just a few of those questions is half the reason. The other half has become more and more complicated as I have thought about the project. 1912 was an amazing time in our history. The labor movement was really kicking into gear. The Bread and Roses strike of Lawrence, MA took place in the winter of 1912. The Titanic sank in April of that year. The Triangle Shirtwaist fire was the year before. The relationship between the rich and poor was in flux. The working class was joining together in a movement that resulted in a healthy and robust middle class...until now. At a time when the discussion of class is re-emerging, and in a year that our small school community reflects on its origin (one that coincides with the development of the middle class), it seems appropriate to engage the students about where we've come from and where we are.
My students are privileged, there's no doubt. I'm excited to see how they grapple with a project that could force them to face certain inequities of which they are beneficiaries. I plan to keep posting about it...I really mean it this time. I do!
Becoming Teach
Follow me as I stumble through the process of creating a place for myself in an educational community. With trials surely ahead, I'm making it up as I go along, sharing problems, ideas, and posing the questions that come my way.
Popular Posts
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My family is on the process of moving currently. The timing is terribly unfortunate. Last year, my son was born on the first day of sch...
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2012 has arrived. Indeed it has. With it comes a new project at school. I have decided that for the spring play the middle school will rewri...
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What a start to the school year! As most schools do, we have faculty workshops at the beginning of each year. Some years are better tha...
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One of the things I love most about working in the education world, as well as the theatre world, is the constant act of renewal. The y...
Sunday, January 1, 2012
Saturday, September 17, 2011
My Educational Community
My family is on the process of moving currently. The timing is terribly unfortunate. Last year, my son was born on the first day of school. This year we move during the second week of school.... Or that was what was supposed to happen.
My colleagues have been very supportive of me during this time, as have parents and students. But it wasn't until yesterday, when the closing of our housing purchase went horribly wrong, that my wife and I realized how wonderful our community is.
We weren't able to close on our house and are living in a hotel for at least a few days. In the grand scheme of things this is our problem and no one else's, but the outpouring of support, particularly from the school I work has been lovely. It has given me pause, and I'd like to take a minute to talk about a few things it has made me consider.
Being part of a successful community based in education should mean a couple of things.
1) it is based around family, specifically children.
This may seem like a given, but I went to boarding school and so believed that I lived free of family. However, that was a clear misunderstanding on my part. The school was my family. The families at my current school are units in and of themselves certainly, but the village that raises your child is more than a village, it is an extension of family.
2) it is supportive when things go awry.
The most successful learning experiences I ever had, and the most fruitful I have observed are born in the unexpected, the accidental, and the plain dead wrong. More specifically, our reactions to what is unexpected, our reactions to adversity are immensely powerful learning tools. Things rarely happen as planned. This move certainly didn't, and the school community has been very ready to respond. Just as it should when mistakes are made in the classroom.
And
3) it is inclusive and inviting.
No one ever wanted to learn from someone who didn't reach out. And no one wants to join a community that doesn't open it's arms.
Today I feel very lucky. We have been welcomed not only with open arms, but with a reactiveness born from the understanding that things go wrong, and with the love and care that can only come from a community that's holds family at the center of it's core values. Our students are more successful for it, and so are our faculty.
My colleagues have been very supportive of me during this time, as have parents and students. But it wasn't until yesterday, when the closing of our housing purchase went horribly wrong, that my wife and I realized how wonderful our community is.
We weren't able to close on our house and are living in a hotel for at least a few days. In the grand scheme of things this is our problem and no one else's, but the outpouring of support, particularly from the school I work has been lovely. It has given me pause, and I'd like to take a minute to talk about a few things it has made me consider.
Being part of a successful community based in education should mean a couple of things.
1) it is based around family, specifically children.
This may seem like a given, but I went to boarding school and so believed that I lived free of family. However, that was a clear misunderstanding on my part. The school was my family. The families at my current school are units in and of themselves certainly, but the village that raises your child is more than a village, it is an extension of family.
2) it is supportive when things go awry.
The most successful learning experiences I ever had, and the most fruitful I have observed are born in the unexpected, the accidental, and the plain dead wrong. More specifically, our reactions to what is unexpected, our reactions to adversity are immensely powerful learning tools. Things rarely happen as planned. This move certainly didn't, and the school community has been very ready to respond. Just as it should when mistakes are made in the classroom.
And
3) it is inclusive and inviting.
No one ever wanted to learn from someone who didn't reach out. And no one wants to join a community that doesn't open it's arms.
Today I feel very lucky. We have been welcomed not only with open arms, but with a reactiveness born from the understanding that things go wrong, and with the love and care that can only come from a community that's holds family at the center of it's core values. Our students are more successful for it, and so are our faculty.
Thursday, September 1, 2011
21st Century Learning
What a start to the school year! As most schools do, we have faculty workshops at the beginning of each year. Some years are better than others. I would count today's as a huge success. We have a IT director at our school who is incredibly engaged in professional development and the struggle to bring technology into the classroom. For our workshop today she booked Tom Daccord (www.edtechteacher.org) to speak to us about the 21st century classroom. The premise of his talk was based around the principle that we need to train our students higher learning functions (i.e. complex communication and expert problem solving). The reason being that manual jobs are either being outsourced or replaced with technology. He goes on to say that creativity becomes pivotal in our students learning. As a teacher in the arts I couldn't be more pleased to hear this. He spoke about contacting students on multiple levels of communication on any given project. While these ideas are, in and of themselves, nothing new...like all good workshops, while he showed example after example of class projects that included technology, elements of drama, history, and various other subjects, my mind began to fly with the possibilities.
Perhaps the best gift any class can give is that of being engaged and excited. I certainly was today, and have several ideas now on taking the next step. I have been struggling this summer to pick a play for this spring. I am compiling a list of pieces that I want to do in the future and have six or seven shows lined up, but none really speak to me for this year. It is the school's centennial. Perhaps this is the chance I have been looking for to devise a piece with the students. There are two rules I am trying to work by this year. You can expect this list to get considerably longer as fall turns to winter, I am sure.... But here's the start:
1) Don't do anything I'm not invested in. If I'm not engaged how could I possibly expect the kids to be. Really....is anything worse than a teacher who is bored?!
2) No matter the project the kids must own it. This was a major lesson for me from last year. We had a year of extreme successes and frustrations last year. If I could chart the quality and quantity of student engagement and ownership alongside levels of success you'd have identical charts.
So here is my thought. I will facilitate the creation of a show written by all the students in the middle school ( on a voluntary basis, and web based). This play will be centered around 1912 New Haven. This will allow the kids to own the show, learn about the world their school was created in, and engage a larger portion of the community in the storytelling tradition theatre has to offer our specific community.
Well, then, here we go...
Perhaps the best gift any class can give is that of being engaged and excited. I certainly was today, and have several ideas now on taking the next step. I have been struggling this summer to pick a play for this spring. I am compiling a list of pieces that I want to do in the future and have six or seven shows lined up, but none really speak to me for this year. It is the school's centennial. Perhaps this is the chance I have been looking for to devise a piece with the students. There are two rules I am trying to work by this year. You can expect this list to get considerably longer as fall turns to winter, I am sure.... But here's the start:
1) Don't do anything I'm not invested in. If I'm not engaged how could I possibly expect the kids to be. Really....is anything worse than a teacher who is bored?!
2) No matter the project the kids must own it. This was a major lesson for me from last year. We had a year of extreme successes and frustrations last year. If I could chart the quality and quantity of student engagement and ownership alongside levels of success you'd have identical charts.
So here is my thought. I will facilitate the creation of a show written by all the students in the middle school ( on a voluntary basis, and web based). This play will be centered around 1912 New Haven. This will allow the kids to own the show, learn about the world their school was created in, and engage a larger portion of the community in the storytelling tradition theatre has to offer our specific community.
Well, then, here we go...
Tuesday, August 30, 2011
Like A Phoenix From The Ash
One of the things I love most about working in the education world, as well as the theatre world, is the constant act of renewal. The year begins, the year ends. One show goes up, then it goes down. My summers are like an empty stage waiting to be filled with the promise of a new school year. That new school year starts tomorrow. I am terribly excited and nervous about it. I keep telling myself now what I am constantly telling my students before performances, "It's good that you are nervous, it means that you care." And care I do!
There are a number of things changing this year. I am more consistently and ambitiously integrating process drama into my classroom, I have (once again) reorganized my classes, and I am intent on seeking a professional development outlet that will let me sift through various ideas I might have without ruffling feathers on campus. The winds of change blow softly, and as many of us have recently experienced, too much wind causes unnecessary damage!
This is where this blog comes in. I'll be honest, this is my second attempt. The first was unfocused and quickly turned into an ugly venting site. I am not interested in this. Rather my hope is that people reading this blog may be able to help me sort out the many thoughts that bounce around this head of mine. Whether you are a teacher, parent, artist, student, or simply an interested passerby I hope you'll join me in a discussion of those things that may be possible in a classroom devoted to the theatre and what it has to offer young minds.
There are a number of things changing this year. I am more consistently and ambitiously integrating process drama into my classroom, I have (once again) reorganized my classes, and I am intent on seeking a professional development outlet that will let me sift through various ideas I might have without ruffling feathers on campus. The winds of change blow softly, and as many of us have recently experienced, too much wind causes unnecessary damage!
This is where this blog comes in. I'll be honest, this is my second attempt. The first was unfocused and quickly turned into an ugly venting site. I am not interested in this. Rather my hope is that people reading this blog may be able to help me sort out the many thoughts that bounce around this head of mine. Whether you are a teacher, parent, artist, student, or simply an interested passerby I hope you'll join me in a discussion of those things that may be possible in a classroom devoted to the theatre and what it has to offer young minds.
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